David Shipko’s article explores the interplay between the video game “Helldivers 2” and contemporary fascism, particularly through its satirical lens. Set in a dystopian future where players represent elite soldiers defending an oppressive regime named Super Earth, the game mirrors alarming real-world trends in militarization and xenophobia, particularly within U.S. immigration enforcement.
In “Helldivers 2,” players engage in violent missions against alien foes, reinforcing imperialistic narratives of dehumanization. The game uses satire to critique these violent ideologies, mirroring the absurdity of military propaganda. Shipko argues that this satire ultimately enables players to indulge in a violent fantasy without confronting the moral implications of their in-game actions.
He discusses the concept of “postmodern fascism,” where players can simultaneously criticize and embrace fascist narratives. This duality leads to a troubling enjoyment of the violence within the game, suggesting that satire may inadvertently reinforce the very ideologies it seeks to critique. Shipko’s self-reflection as a player highlights the deeply ingrained fascist structuring in society, questioning the potential for media like “Helldivers 2” to mask its ideological implications under a veil of humor.
In conclusion, Shipko calls for a collective re-examination of these narratives, emphasizing the need for transformative action against the pervasive alignments with fascism presented both in games and contemporary political climates.
