Tim Brinkhof critiques Joe Wright’s 2025 miniseries MUSSOLINI: SON OF THE CENTURY, arguing it offers a flawed portrayal of the rise of fascism in Italy. Adapted from Antonio Scurati’s novel, the series employs experimental techniques—such as fourth wall breaks and a diverse soundtrack—to explore Benito Mussolini’s journey from a disgraced journalist to dictator. While aiming for historical authenticity, it weaves in creative liberties that emphasize spectacle over a nuanced understanding of fascism.
Brinkhof highlights that, unlike Wright’s earlier work, the series resembles the 2017 Russian show Trotsky, both delving into the private lives of historical figures while portraying them as larger-than-life characters. Critics assert that Wright’s depiction lacks depth, oversimplifying Mussolini’s rise as merely the failure of prior political structures, ignoring broader factors like societal support from various elites.
Despite its engaging narrative, Brinkhof points out factual inaccuracies and exaggerated character portrayals. The series tends to present Mussolini as charismatic, potentially romanticizing his dictatorship, which is problematic given Italy’s historical reluctance to fully confront its fascist past. Overall, the miniseries risks misrepresenting fascism by focusing on narrative seduction rather than a critical examination, challenging the context in which audiences understand figures like Mussolini today.
